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rhamphotheca:

In honor of Darwin Day, don’t forget that you can read ALL of his published work online, including On the Origin of Species, completely free of charge.  (Check it out here) Artwork:  www.trufflebeetles.com
(via: I Fucking Love Science)

rhamphotheca:

In honor of Darwin Day, don’t forget that you can read ALL of his published work online, including On the Origin of Species, completely free of charge.

(Check it out here)

Artwork:  www.trufflebeetles.com

(via: I Fucking Love Science)

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"I am very poorly today and very stupid and hate everybody and everything."

Charles Darwin, 1 October, 1861 (via girl-detective)

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WHEN I’M ISOLATING RNA AND CAN ACTUALLY SEE A PELLET

whatshouldwecallgradschool:

credit: jo

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ileftmyheartintokyo:

IMG_0114 by Atsushi Hayakawa on Flickr.
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lonequixote:

Interior (My Dining Room) ~ Wassily Kandinsky

lonequixote:

Interior (My Dining Room) ~ Wassily Kandinsky

(via thesweetestspit)

Tags: kandinsky
Photoset

All right, but apart from the sanitation, the medicine, education, wine, public order, irrigation, roads, a fresh water system, and public health, what have the Romans ever done for us?

(Source: joshgads, via fleetfoxed)

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"Fuck you, I won an Emmy."

Martin Freeman (now, probably)

"Fuck me, so did I!"

Benedict Cumberbatch, sincerely shocked.

(via vulgarweed)

(Source: adawninglight, via honeybee221b)

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Shakespeare at the National Theatre

national-theatre:

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Explore Shakespeare at the National Theatre in our interactive Google Cultural Institute exhibit.

Theatre historian Daniel Rosenthal curates the story of Shakespeare at the NT through eight landmark exhibitions using photographs, letters, designs sketches, reviews and interviews.

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"…I’m going to sit here and just binge myself witless."

Sue Perkins

Bread Week on The Great British Bake Off

(via evolutionarytrajectories)

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mid0nz:

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CRANE SHOT

A shot where the camera is placed on a crane or jib and moved up or down. Think a vertical tracking shot. (x)

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CROSS CUT

the editing technique of alternating, interweaving, or interspersing one narrative action (scene, sequence, or event) with…